Cole Thompson Photography Newsletter
classic images in black & white

 

August 2nd, 2007
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Dear Cole,

Aloha from Hawaii!

A family vacation took me to Hawaii and I was able to do two of my favorite things, create new images and scuba dive. Both require concentration and the ability to "see" as I call it. There are beautiful images all around us but often they are obscured, not by other objects, but by our own attitudes and outlooks on life.

One of the most difficult things for me as an artist, is to "see" beauty in the ordinary objects around me. Going somewhere new, such as Hawaii, helps because I am seeing things for the first time. However it would be much better if I could clear my mind and simply "see" the beauty that is in my own back yard.

It was Edward Weston, one of the greatest photographers of all time, who said that we ought to be able to look down at our feet and see a great image. He said this as he was confined to a wheel chair, the victim of Parkinson's Disease.

I have brought home seven new images from Hawaii and I hope you find something that is beautiful to you. I am offering any of these new images at a 40% discount, there is more information below.

Also, from time to time I like to revisit the "Color or Black & White?" discussion and have provided a before and after image below. Which one do you prefer and why?

I hope you are having a wonderful summer. Soon the kids will be back in school, the air will chill and the leaves change. Like visiting Hawaii, a change of season is a nice way to see things anew.

Cole



New Images From Maui
 
Balance

(Balance - Iao Valley, Maui)

As I drove around the back roads of Maui, I began to notice these small stacks of rocks balancing on larger rocks. At first I barely noticed it, but then began to "see" them everywhere! They were on the sides of the roads, on cliffs and even in the middle of rivers like the image above.

Intrigued, I did a Google search and found this:

There are many points of interest in North West Maui. As you travel from Kapalua one of the first interesting locations is Nakalele, sometimes referred to as "Hobbit Land". This is a wind swept overlook with knarled evergreen trees, wind swept rocks, and a great view of northern Molokai. There are a number of stacks of balanced rocks at Nakalele, hence the name "Hobbit Land". The rock stacking is believed to have been started by local fishermen, a way to mark the path to where they're fishing down the sea cliffs, the practice caught on with visitors who began stacking rocks too.

Whatever the origin or original intent, it has the feeling of a peace offering, a symbol that reminds us to live in harmony with the land and with others. It was encouraging to see that so many people were drawn to this same sentiment!

Click here to view all seven new Maui images


Rising from the Sea

(Rising from the Sea - Maui)


Submerged Rocks

(Submerged Rocks - Maalaea Harbor, Maui)


Color or Black & White?
 
B&W Versus Color

(Swimming Towards the Light - Kihei, Maui)

Do you generally prefer an image in black & white or in color? You can guess my answer, but I am intrigued as to why I prefer black & white.

Is it because I grew up in a black & white world where television, movies and the newspaper were all in black & white? My heroes were in black and white and the nation was segregated that way.

Am I simply more comfortable with black & white because I grew up with it?

Sometimes I think that it's too easy to create a color image (sorry to my color loving friends!) but with black & white you really have to work at the image to grab people's attention.

The image above was created by shooting into a swimming pool from above and at night. While the color in the image does add something, I still prefer the black & white version.

Which do you prefer?




Context and Art
 
The Pools at Iao Valley

(The Pools of Iao Valley - Iao Valley, Maui)

What if you were to take one of the worlds greatest musicians, and have them play in the NY subway for tips....would people still appreciate their work?

Read about this experiment performed by the Washington Post and written about in the short article by by Robert Genn below. While the article is interesting, the discussion afterwards is fascinating!

Cole





Context July 3, 2007

Dear Artist,

Did you ever wonder about the difference between a piece of art in someone's basement and a piece of art in the National Gallery? Did you ever wonder just exactly what constitutes "good" art?

Readers may be familiar with the recent experiment done by the Washington Post. The brilliant violinist Joshua Bell, fresh from a performance at the Library of Congress with the Boston Symphony, busked for free during the morning rush at a Washington Metro station. Joshua Bell performs with the BSO (January 2006)

Of the thousand-odd passersby, only a few stopped, or even paused, to listen. Small change fell infrequently into his open violin case--the very case that holds his $3 million 1710 Strad. Most were oblivious to some of the most beautiful and difficult music ever written for his instrument. Interviewed after leaving the building, it seems few commuters even noticed the guy in the baseball cap standing by the frequently swinging doors. Thinking back, Bell believes some thought his efforts offensive. The nearby skin mags, shoeshine lady and lotto ticket machine got more attention. View video .

Bell, when playing in more conventional venues, is a guy who makes about a thousand dollars a minute. Much has been written of his Metro debut. My take is that the Metro is now and will forever remain an inappropriate place to hold a concert. Any concert. Quality art deserves and needs a proper frame to be fully recognized as quality art. In art, perception and context are all-important. "Art pity" is not a significant generator of fans.

Many visual artists who read this will never see their work in the National Gallery. While there's a complex mix of machinations that needs to happen in order to be there, we can often make the choice to be in better venues. Quality mags beat scandal sheets. Commercial galleries beat barber shops. We can be selective about our galleries, too. The unfortunate truth is that it's better to be on Lord Bluffington's walls than on Joe Blogg's on the other side of the tracks. People who pay big bucks to put their bottoms in the front row are just a wee bit more likely to be enthusiastic. It's human nature.

Best regards,

Robert

PS: "I was oddly grateful when somebody threw a dollar instead of change." (Joshua Bell)

Read the discussion about this topic (this is the really good part!).




Now Appearing...
 
Peas in a Pod

(Peas in a Pod - Iao Valley, Maui)

Here's where my work and I have been recently:



  • My work is extensively featured in the July/August issue of Camera Art's, now on newsstands.

  • I received the Phyllis Reed Memorial Award for my image "Old Car Interior."

  • My work will be extensively featured in the 3rd issue of "Fotomat" to be published on September 2nd. Fotomat is a new online magazine and you may view the 3rd issue HERE after September 2nd.

  • Two of my images, "Three Trees" and "Lone Trees" are being used in the movie "Crossing Over" now in production and starring Harrison Ford, Sean Penn, Ray Liotta and Ashley Judd. Read more about Crossing Over.


      View My Resume


    • 40% Off New Maui Images
       
      Swimming Hole

      (Poudre River Spillway Detail No. 13 - Fort

      The seven new Images that I created in Hawaii are being offered this month at 40% off my regular prices. These are new images and being offered for the first time.

      An 8X12 image matted to 16X20 is now $180

      The 10X15 image matted to 20X24 is now $300

      To order, simply email me at Cole@ColeThompsonPhotography.com

      And please remember that my booklet, "classic images in black & white" is still available for $7.95 plus $2.00 s&h. Read More



      Cole Thompson Photography

      Phone: 970-218-9649

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